00:00
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00:06
Fundei a Ornota em 2013 e fabricamos vestuário para ciclistas. Para mim, a melhor parte da Shopify é a possibilidade de gerirmos o negócio mesmo não tendo conhecimentos técnicos. Conseguimos gerir tudo, do back-end ao front-end e fazer vendas online, sem complicações. Se a Shopify fosse um equipamento de ciclismo... Eu diria que seria a própria bicicleta. É aquilo que nos permite chegar onde queremos. É na Shopify que gerimos o nosso negócio.
00:37
Olá, Greg Jenner aqui. Eu sou a host do You're Dead to Me, a BBC comedy show que toma history seriously. Cada episódio, eu paro a top historiante com uma fantástica comedian e temos um lindo, divertido, fascinante chat sobre um assunto diferente da história do mundo histórico. E nessa nova série, nós começamos com uma viagem épica sobre a história de Homer, Iliad e The Odyssey. E isso é com Kael Smith-Bino.
00:59
And then we'll be learning about Francis Galton and the racist, discredited pseudoscience of eugenics with Desiree Birch. We'll meet many medieval saints in their bone boxes with Rachel Paris. So, if that sounds like your sort of thing, listen to You're Dead to Me wherever you get your podcasts. Thank you. Bye.
01:20
You're listening to The Archer's Omnibus from BBC Radio 4.
01:42
Two pints. There we go, Ed. A chibill?
01:45
Please.
01:46
Righto. Anything else?
01:47
The roast pork's looking amazing. Don't tempt me. Clary cooked earlier. Me and Emma had a huge tree surgery job to finish. It was our reward. Hi, Ed. Hi, Kenton. She'll give Joy a bonus. She's trying to persuade me to spend more at the bar. How much persuading do you need?
02:02
Three words, Ed. Sticky, toffee and puddings.
02:06
I'll give in. Two sticky toffee puddings. No, actually, one. Two spoons. Ok, eu vou virar. Muito obrigado. Boa noite, Joy.
02:15
Estou fazendo o meu trabalho. Eu acho que o rush vai ser calmo.
02:19
Não bete-se, tem uma table para seis, mas por meio que não está.
02:22
Bem, vamos ver que o futeiro é esse próximo mês.
02:25
Bem, o bebê está ordenado. Está em o lap de Deus agora.
02:28
O lap de Alan e o seu ticket price é mais assim.
02:32
Eu não tive a chance de dizer, Kenton. Eu estava muito sorry para falar sobre Fallon e Harrison.
02:37
Oh, sim, obrigado. Um pouco de uma bomba.
02:40
Isso seemed so perfect.
02:42
É o que todo mundo diz. Olha lá, ela está aqui.
02:45
Um, dois chiquinhos e um coelho cheio. Oh, que é para Linda e Robert? Eu vou fazer isso, obrigado. Ah, agora, Kenton, agora que está calma, eu perguntei se eu puder ter a palavra. Eu tenho feito um arrangamento.
02:53
Bem, você pode falar com o meu amor sobre arrangamento. Eu não quero que o comida seja cold. Linda?
02:58
Robert! Honestly, Joy, they've been like this all day, both of them. There are things to organise. Do they have to be organised today? Maybe slow down a bit, eh?
03:07
I swear they're both avoiding me. It's the Sunday rush, that's all.
03:12
On which note, I need a sticky toffee pudding for Ed with two spoons. Oh, that garden's here!
03:18
Alistair
03:53
Ah, eu não tinha pensado. Ah, eu não tinha pensado. Ah, eu não tinha pensado. Falon's sempre sido a free spirit. Eu não tinha pensado que ela ia settle down. Eles eram uma boa equipe. Eu tenho muito tempo para Harrison, mesmo se ele é um copo.
04:10
Você acha que ela conhece alguém outro?
04:12
Ou talvez ele tenha. Em Yorkshire. Ou talvez...
04:17
I used to wonder what... Aye, I know. What do you mean you know? Come on, man.
04:22
I remember you going out where you fancied her rotting. I'm not the only one, am I? I can't remember the road trip, you know.
04:29
That was a very long time ago, mate. Yeah, whatever.
04:33
And here she is in her forties. Footloose and fancy free. While we're both married with kids. Who'd have predicted that? Yeah, well, I like being married with kids. Aye.
04:43
Life's a funny thing. Your falin's going to need a bit of support.
04:48
Você é o melhor do dia?
04:50
Não, não, todo mundo está fora.
04:52
Estou planejando para colocar minhas feitas. Por quê?
04:55
Eu tenho uma ideia. 3 B for chicken e 2 porks. Extra Yorkshire em um dos bifes. Eu acho que é o último dos bifes, eu acho.
05:05
Não tem problema, eu estou com o pior. Então, você pode falar para mim por dois minutos? Não, não, não. Eu ainda tenho um pub para ir.
05:12
O que é isso? O que é isso? O que é isso? O que é isso? O que é isso?
05:27
Mas o Bull é um futebol, e muito disso é para você. Por que não? Não, não.
05:34
É uma chance de construir um novo, criar algo novo, um reboot. Por favor, não me bloquear. Não está dizendo que não vá. Não vá. Não vá. Não vá. Não vá.
05:47
Look, I've loved being at the bowl, Mum, but sometimes opportunities turn up when you're not expecting them. And the crook barn has turned up. It's not to do with me and Harrison. I'd have done it if we were still together. Can you not just support me?
06:01
I'll always support you.
06:05
So let's talk about the arrangements that we need to make so the bull isn't impacted when I go. I've organised agency cover from the end of the month. Please get your head around it. Oh, Fallon, if you've got it... Oh, sorry, am I interrupting? No, no, we've finished, right, Mum? Right. Great.
06:21
Only Jazza's at the bar and would like a word.
06:23
Yeah, I'll be there as soon as I've done this order. I can start on that if you want. Great, thanks, Joy. Sigh.
06:29
Sorry, Jolene, did I... No, it's fine, Joy.
06:34
Well, it's not. It's not at all, but I reckon it's going to have to be.
06:45
That's all gone through. Thanks, Jazza. Thank you. As usual, the sticky toffee was amazing. Good to hear. Jazza?
06:52
Tchau, tchau. Tchau, tchau. Tchau, tchau.
06:54
Tchau, tchau.
07:17
Eu não preciso queira-se, Jazza, se isso é o que é isso. Eu gostaria de ter uma noite de fora, mas...
07:24
A Sunday não é realmente a noite para isso, é? Ken? Não sei, eu não consegui ouvir. A Sunday, você sabe? O trabalho amanhã?
07:32
Ken?
07:33
I'm not a teenager. I don't need my social life supervised, thanks. Of course not. I don't mean... No, I'd love to come out with you, Jazza.
07:41
Fantastic. Kick off at the blue board, I thought them foley-one-nosies fit there. Cap him.
07:46
I'll ask Joy if she can finish off in the kitchen, Kenton, so you won't be inconvenienced, will you?
07:53
Right. I'll leave you to it, then.
07:57
Vai ser divertido, Fallon.
07:58
Mas uma condição, não talk about Harrison. Ou a break-up. Eu acho que eu falo sobre nada mais toda a semana.
08:06
Você é um. Vamos só ter uma olhada.
08:13
Sim. Oh, obrigado muito, Jolene. Eu não sabia que eu tinha deixado isso.
08:17
Bom, Sunday lunch é sempre chaos.
08:19
A bit quieter this evening, I've left Kenton in charge. I probably wouldn't have noticed till I went to put it on charge. Well, I didn't want you thinking you'd lost it. Sit down, I'll make us some tea. Are there wine in the fridge? Well, not for me, but I'd love a brew, thanks.
08:36
Is there something out with your doorbell? Made a really weird sound.
08:39
Oh, I know. It's not the battery, I've tried. Mick says he'll look at it, but we both keep forgetting. Oh, one of them boring tasks that never get done, eh?
08:49
Thanks for finishing up for Fallon. Oh, happy to help. Especially when things are so up in the air for you all. Yeah, it's all happening too fast, Joy.
08:58
I did try saying something like that too, Anne.
09:00
Did you? Oh, thanks. Maybe she'll listen to you.
09:03
Bill does okay.
09:04
Yeah, perfect. I don't know what to do, Joy.
09:10
I get that. Believe me. I'm really worried about them. Both of them. Harrison and all. Of course. I mean...
09:18
I know they'll probably be fine, but I feel like Fallon's just walking away from something really good without thinking about it properly.
09:27
Oh, Jolene.
09:28
Do you mean Harrison? Well, Harrison too, but I'm talking about the bull. She won't listen to me. I'm not an idiot, Joy. I'm talking sense. But no, she just wants what she wants, whether she's letting us down or not.
09:41
Oh, I understand. I really do.
09:44
I went through the mill with my Rochelle. It's hard being all stoic and supportive for your kids when you think they're making a mistake. So how did you manage? I don't know, honestly. I just tried to be there when she needed me. Tried to let her find her own way...
10:01
I can see you're angry Angry?
10:05
Maybe Frustrated, definitely What if Fallon leaving affects business?
10:12
I find that hard And I think Honestly, I think it's selfish of her doing it so suddenly Yes I am quite angry Well, it's good that you know that No good bottling it up Should I tell her?
10:30
Did that get you anywhere? Didn't help me with Rochelle. Fallon and me at the Bull are a great team. Yeah, but would you have wanted to work with your mam for years and years?
10:41
Well, that's completely different. Is it? I'm not a bit like my mother.
10:45
Me e Fallon não tem o mesmo relacionamento, não at all.
10:49
Não é meu ponto. Pupfamilhas são diferentes. Você tem algo que se passam. Eu pensava que Fallon ia ir à casa, e aí, em fulness de tempo... Você perguntou se isso é o que ela quer?
11:00
É o que as famílias são. Mas você não era sempre a famílias, era você?
11:04
Não, mas...
11:05
Não é como ela cresceu. E a sua vida antes não era exatamente convencional, era? Muitos diferentes trabalhos, milhões de twists e turns, mudanças... Então, o que você está dizendo? Você não regretava fazer essas coisas? Não por um momento.
11:20
Eu estava encontrando meu caminho.
11:22
Então, talvez...
11:24
Talvez Fallon seja a chip-off-the-ol-block.
11:28
Oh.
11:29
Opa, que é a kettle.
11:32
I should let Fallon find her own way. Is that what you're saying?
11:36
She's going to do it whether you like it or not. And there's no telling where it might lead. So maybe you'd be better getting on board with it.
11:44
Maybe.
11:47
Oh, I don't know, Joy. Just a thought. Oh, I've got some lovely ginger biscuits if you'd like one.
11:58
Yeah, Kenton. Oh, you're back earlier than I thought.
12:02
I seen it wouldn't be a lute one. Hi there. Ed, do you want a nightcap?
12:08
I've had enough, I think.
12:08
I can do coffee. Do you have a nice time? Yeah, it's great.
12:12
It was really lovely. Dross reunion together. I still miss Ash. Oh, poor Ash. I miss him too.
12:20
We all do.
12:21
Yeah, I know what he'd have said. Seize the day, girl. Seize the day. Seize the day.
12:29
Right, coffees then? Yeah, I think that's a good idea.
12:32
No, I'd like a small red wine.
12:35
Coffee, I think.
12:36
Is it superb or what?
12:37
Fallon, why don't we grab a table there?
12:40
Oh, by the window. I like the one by the window.
12:42
Aye, that'll do fine.
12:44
Come on. Let's do it.
12:45
Oh, sorry.
12:50
Coffees all round them place, Kenton. Where did you go?
12:54
A couple of places.
12:56
Pop crawl, great.
12:58
Hardly. I hope you looked after her.
13:00
Of course we did.
13:02
Did her good. Yeah, yeah, sure. It's the perfect night out, isn't it? Getting smashed with two blokes a week after her marriage breaks up. Wait, hold on. Everything OK here?
13:12
Fine. That didn't sound fine to me, Kenton.
13:15
Ed, você vai continuar fazendo companhia? Ele só disse... Eu sei, eu disse. Não se preocupe, Ketton vai fazer um bom café. E aí você vai.
13:26
Tudo bem, tudo bem. Tudo bem, Jessa.
13:30
Não thank me. O que é o problema, Kenton? Nós três have sido mates por décadas. Talvez uma noite com o olde mates é o que Fallon precisa agora.
13:37
Ela é vulnerável, Jessa. Não, listen. No, você listen. Fallon é família e so é Harrison. E se você gostar ou não, ninguém, o olde ou não, vai me deixar de me olhar para o meu família.
13:56
O que tipo de sausages? O que é o que é o que é? O que é o que é? O que é o que é? O que é o que é? O que é o que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é? O que é?
14:19
Look, I suppose I could do you some sneaky mash. Or some sneaky chips. No, chips aren't happening. There are some sweet potatoes. I can mash them. Jazzer would have done chips. Well, you're stuck with me.
14:36
Now, do you want these sausages or not? Oh, go on. Get them in the frying pan. In the oven. It's healthier.
14:43
Jazzer would have... Yes or no. Yes. Yes.
14:47
And I need you to get me something. It's healthy, it'll help my digestion and boost my immunity. I read up on it. Oh? What's that then? Salty licorice. Salty? Licorice is sweet! Not this stuff, it's from Scandinavia. It's why Vikings are so strong. Vikings? Planning a bit of loot and pillaging, are you? Oh, ha ha! Susan won't stock it in the shop, says there's no demand. How would she know if she hasn't tried? So I need you to get me some from Underwoods. They've got it, I've phoned up. Nós não vamos no Underwoods, por que nós?
15:20
Susan runs a village shop. Jazzer used to go for me. He used to drive up to North Borsetshire too to get the sausages I like straight from the farmer. These are straight from Bridge Farm. You can't get much more local.
15:35
And I'm going to Grange Farm to pick up the cider you want. It's Bridge Farm sausages or nothing.
15:40
Don't get old, Neil. It's no fun.
15:47
Oh, sorry, you're eating. Oh, well, that looks nice, mate. Quite and chips. Well, sometimes just what you need, eh? With a bit of brown sauce. I just fancied it, you know, me and Fallon out cooking together. Yeah, of course. Actually, I just popped over to see how you're doing, mate. Oh, I'm OK. It's a bit, you know... Yeah, yeah, sure.
16:13
Tchau, tchau.
16:42
You know you don't have to, right?
16:45
Your family, Harrison. That's not changed.
16:48
Oh, OK.
16:49
Good.
16:51
Do you want a chip? I thought you'd never ask.
16:54
Come on, Diggy. Cheers. We're good, right? Yeah. Chip shop chips. I mean, not exactly a Fallon's Chip will cook one. Pretty good for a chippy.
17:06
So have you heard from Jazza? Or from Ed? No, not recently.
17:08
Why? Well, I...
17:12
I just thought, you know, being mates, they might, um... Well, you know... Not everyone's busy this time of year, ain't they?
17:18
Yeah, yeah, but... Honestly, Kenton, I'm doing okay.
17:24
A bit better this week, actually. It's like the shock's worn off, you know?
17:27
Yeah.
17:27
And the new job's a good distraction. I'm loving that.
17:29
Yeah.
17:32
Look, this is none of my business, I know, but, um...
17:37
Então...
18:02
I wondered, have you and Fallon thought about that at all?
18:07
Because there's a woman in Borchester that offers couple sessions, very highly thought of, apparently, and, well, it's not cheap, but... It's a very kind thought, Kenton. You know, just before you make any big decisions. But I think that ship sails. That's worth a try, surely? I'd have to talk to Fallon. Obviously. But say you will, eh?
18:28
Talk to her? All right, I mean, I'm... Não sei se é para nós, Kenton, mas obrigado por ter pensado. Oh, ótimo. Sim, eu vou dar um outro tipo.
18:42
Vamos dar o shopping em uma shed para agora, Edwin. Não quero que você faça uma surpresa. Algumas tem que irá para o frio. Oh, eu vou pegar isso. Oh, certo. Sim, eu vou pegar isso. Oh, birthdays come round so fast, don't they? Your mum will do your missus proud on Friday. A proper feast. I'm on roasty duty. Got some lovely goose fat.
19:02
Oh, sorry. Sorry, excuse me. Won too many last night. And it was a heavy weekend for work. I'm feeling my age today.
19:11
Yeah, I'm not surprised. And you had that idiot sounding off at you when you were moving the combine last week.
19:17
Remind me.
19:19
There we go.
19:20
Everything OK at home for?
19:22
Oh, fine. Harvest looks good. Though Brian's all in a twist about getting the gravel down for the caravan storage.
19:29
That's not yet, though, surely?
19:30
No, it's next month. I persuaded him to hold off till planning permission comes through. Getting gravel down's one thing, but getting it back up again's a whole different ballgame.
19:39
You've got Brian Aldrich to change his mind. Give this man a medal. He'll be running home farm before long.
19:46
Well, Brian's in charge. Not for me, thank you.
19:49
Oi, Neil.
19:50
Evening. Oh, you here for that cider? Yes, I am. I'll take three bottles if you've got them. Keep it quiet for a bit.
19:57
Oh, how's that going?
19:59
Oh, day at a time, Eddie, a day at a time.
20:01
All right, Ed? Good weekend? Yeah, yeah, very quiet. That's not what you just said. You had that big tree surgery job.
20:09
A one for Martin Gibson? Você took that? Well, that the money was too good to turn down. I thought you said it was a bribe. So you'd report back on what Brian's up to. Well, it's... Is that what you're doing, Ed? Spying on Brian? Here you go, Harrison.
20:30
Sim, sim.
20:56
I'm sorry.
20:57
It's Kenton being Kenton. He'll settle down eventually.
21:01
He came round earlier and insisted I pop in for a drink. And he's taking me for a curry on Thursday night. Oh, go for it. When was the last time he took me for a curry, just the two of us?
21:10
He wants us to know he's looking out for both of us equally. It's sweet, really. Oh, make him take you to the Star of India.
21:16
He is, yeah.
21:18
Oh, hang on. Sorry. Oh, no.
21:21
Problem.
21:22
You'd better check that out.
21:24
Why, what is it?
21:27
Ele está playing a blinder today.
21:30
Couples counselling? Did you know about this?
21:32
Ele mentioned it earlier. I never said yes.
21:35
Can you even book counselling for someone else? Is that a thing?
21:39
Looks like that's why they've emailed. It's a consent form for us to sign. Honestly, you don't want to, do you?
21:45
I'd rather stick a ferret down the trousers.
21:47
Well, I'd rather you did too.
21:50
Here's your wine, Fallon. I got you a large one.
21:52
Ah, great. All the more to pour over your head.
21:56
Couples cancelling in Borchester, Friday afternoon.
22:00
I was planning on running it past you.
22:01
But you booked it anyway. I spoke to Harrison.
22:04
Hey, I never said yes. All right, maybe I jump the gun. But I think you should go.
22:08
No way.
22:09
It's all paid for.
22:11
We've done enough talking about our relationship. Honestly, we're all talked out. It's a professional. It'll be different. No, Kenton. It's very sweet of you, but no.
22:21
Eu não acho que eu posso fazer uma refund.
22:23
Você vai, então. Você e a mãe. Por que nós precisamos ir para o canselho? Talvez para explorar por que você não aceita sua vida. Que é um pouco horrível. Você tem que esperar, Kenton. Go e serve.
22:35
Right.
22:37
Oh, bless his face.
22:39
Serve as I'm right. Cheers. At least we've got free drinks.
22:43
Sorry, what?
22:46
You OK?
22:47
Yeah. I don't know... It says some have done it that neither of us wants to fight for our marriage.
22:52
We've been through this.
22:53
I know, I just wonder maybe if we'd tried sooner there might have been some left to save.
22:57
Are you having second thoughts?
22:59
No, you? No, I'm not. And you know, I truly thought that loving you the way I did meant that I wouldn't mind about not having kids.
23:07
It's deep in you, isn't it, that longing?
23:10
So deep, can't fight it.
23:11
Well, there's no need to now.
23:13
No, mas se eu percebiu earlier how deep it went We wouldn't have had the last few years, would we? And I've loved them, Fallon Really have Yeah, me too
23:26
Will you both stop calling me a spy? Guilty conscience? No, no, it's just stupid. I'm not spying. I haven't told Martin anything bad. I couldn't say no to all that money, could I? How could I explain that to Emma?
23:39
I've got a horrible feeling this will end in tears, Ed. So what have you told Martin?
23:44
Nothing. Nothing much, any road. All he cares about is the BL contract running smoothly. And it is, so there's no problem. And if Brian finds out... Which he won't.
23:54
He might. He won't. I don't think. If he does, he'll go off like a Roman cunt. Don't come off here. Well, I've said my piece.
24:04
I'll get off home. Okay, see you, Neil.
24:09
Yeah, cheerio.
24:11
Home Farm's too good a contract to lose, Edward Look, I'll just say to Martin I'm not going to tell him anything else The tree work's done, he can't make me The tree work's done for now But there'll be more You don't want to offend either of them They're both good payers That is true There's got to be another way
24:37
Is that you, Susan? About time.
24:39
No, just me. I've got you a cider.
24:42
Oh, lovely. You can pour me one if you like.
24:44
Oh, give me a chance.
24:46
Oh, and I've got you this.
24:48
Catch? Catch? I'm over 90. I can't catch things.
24:51
What are you...
24:53
Oh!
24:54
That's the stuff, right? Salty licorice. You got it. Well, I realised I was a bit short with you earlier. I'd say you were, yeah. And Underwoods Local was still open, so... Thanks, Neil.
25:07
I know Jazza was around here more than I am. It must be lonely. I'll try harder. Agora, vamos dar essa coisa um pouco, não vamos? Eu não sei onde Susan tem que irá, off galivando com os outros, eu acho. É para o post office managers. Eu não acho que eles estão pintando Phelps com o red. Aqui, vamos lá. Tchau.
25:28
Eu vou ter um, também.
25:31
Hum. Hum. Hum. Hum. Hum. Hum. Hum. Hum. Hum. Hum. Hum.
25:37
Like it? Yeah. Sort of tangy and salty all at once, isn't it? It's disgusting. It's different. Oh, blimey, all right. Careful. I'm not putting that much in my mouth. I don't care how healthy it is. You asked for it. Didn't know it was going to taste like old car tyres, did I? I went all the way to Underwoods for it. I don't care. I'm not eating it.
26:00
For goodness sake.
26:02
Jazzer wouldn't make me eat it, never. Not my jazzer.
26:13
Tchau, tchau.
26:45
Pass it over. Rinse it. Are you going to the fate on Sunday?
26:50
The fate worse than death.
26:52
Who calls it that?
26:53
Henry. I probably will. I'll have to pay though.
26:56
Yeah, Alan's chancing at charging a fiver for tickets. I was going to enter me ferrets in the pet competition, but it turns out you have to pay to enter that and all. It's a complete rip-off. I'm not being charged twice. It's funny watching you wash the bottles.
27:13
What? To my armpits in soapy water?
27:16
No, no. I mean, it's a family tradition. George did it before you, and I'm hoping Poppy will do it after.
27:22
Yeah.
27:24
Seen George this week, have you?
27:26
George may be a pill, but me and me are fine. Grandpa, don't go on.
27:30
All right, if you say so.
27:33
Can I help with the apple harvest too? Then I'll see the whole process through, beginning to end.
27:38
Apart from the drinking, well, till you're 16 at least.
27:42
Sim, ok. Eu acho que grande cider é uma coisa legal. Eu adoro que nós temos feito isso por anos. Descados? Sim, é uma tradição. Como o wassale-o em janvário.
27:53
Oh, me? Eu amo o wassale.
27:55
Eu tenho que ler um online. É um pagão, certo? Siga-o para a árvore, põe-o para a árvore.
28:01
Você tem que ler um? É interessante.
28:03
Em alguns lugares...
28:06
They hang up toast in the branches, toast soaked in cider. I mean, who thought that up? It's mad.
28:13
And there's the hullabaloo, banging saucepans together to wake up the spirits.
28:17
We should do that in our orchard.
28:18
Oh, we have done. It was grand.
28:21
Can we do it again, Grandpa? This January?
28:27
Almost ready. What flavour is it? I told you, Mulligatone. My favourite? I know. Out of a tin though, Jazzer always made it fresh. I bet he didn't.
28:36
Who knows how to make Mulligatone soup?
28:40
Jazzer does.
28:41
Maybe he told you it was homemade.
28:43
You calling him a liar, Neil? No. You calling me a liar? Bert, I haven't got the time or the patience to discuss soup. I've got to get back to work. You only just got here. Look, I have an hour for lunch and it takes a good ten minutes to get in and out of my bio-suit and have a scrub down. Load of nonsense. We take bio-security very seriously at Barrow. Ah.
29:04
Now, what do you want in your sandwich? Is this ham or cheese or both? Corned beef. All gone. Cheese then.
29:11
Right. Don't go sneaking in any green stuff.
29:15
A bit of pickle though.
29:17
Thank you for coming back to make me lunch, Neil. I'm only grumpy because my feet hurt. My toenails need cutting, you see? They're that long. I'll call the chiropodist. Why bother? You could do it. I'll call the chiropodist, thanks. Well, Jazzer used to do it.
29:33
I miss Jazzer. Our little chats. He found me a radio station I actually like. Full of proper music. Real specialist stuff. Can't find it now. Well, I'll have a look later. He used to read me the paper at lunchtime too. Kept me up to date with what's going on in the world. Cheered me right up. What's going on in the world?
29:55
Cheered you up?
29:55
You know what I mean.
29:58
Well, soup's ready.
30:00
Not sure I'm in the mood for Mother Gatorney.
30:07
I'm surprised someone your age is into all those old things.
30:11
Loads of my friends are. Do you know about kissing boughs?
30:14
Of course. Me old dad used to make them and I would help him.
30:18
Wow.
30:18
Weaving the willow twigs and dressing them up with mistletoe and ribbons and oranges. Você hang uma em uma porta e se alguém quiser te casar, você não pode refutar. Cada vez que uma pessoa se casar, você tem uma berra. Depois de tudo, não mais se casar. Então, você tem que ir muito rápido. Eu realmente amo que você ama tudo isso.
30:44
Como o povo é, você é uma pequena árvore.
30:47
Todos os festivos, Plough Sunday ou Hallows.
30:50
É em sua DNA, como George.
30:53
Are you two really alright now?
30:55
I said, didn't I? Don't go on.
30:58
Family's family, Kira. However bad the storm, the clouds always pass in the end. Alright, I'll change the subject.
31:09
I really like the home and garden marquee at Borchester Show. The homemade jams and cakes and stuff. If I thought about it earlier, I could have made something for the flour and produce show. Fruit wine, maybe? It's too late now.
31:22
We could do it ready for next year. Lay down some parsnip in the autumn, maybe. Or pick some black currants now and get going with that. Or both.
31:31
Let's do it, Grandpa.
31:39
I mean, don't get me wrong. Tracy and me are loving having a wee bit more time to ourselves. She's still juggling two jobs, but we bet it was Merle at three.
31:47
So we're happy as Larry.
31:48
I'm glad someone is. Do you?
31:51
Não gone well. Bem, um pouco melhor agora que Christopher está na sua flat, eu acho. Mas Bert needs so much looking after.
31:59
Pass me that rake, and I'll spread the feed out.
32:03
Tracey did most of the donkey work, if I'm honest. I just got the good bits. I think I've missed those. Taking him to the pub, doing his lottery tickets, listening to his stories. Bet it was a bit of a lad in his day, eh?
32:17
I know he's a cantankerous old chancer, but I like him, Neil. I can't help it.
32:22
After all, I plan on being a cantankerous old chancer myself one of these days. You have a good rant if you need to. I tell you, Tracy did. I would say a word to neither will the pigs. It's all fallen to me this week. Susan's off on her course. Try to bond with him. Watch telly with him. He doesn't always watch rubbish. He likes a good war film.
32:42
I can't believe how much you did for him.
32:45
Oh, come on, Jazza. Driving miles to get his favourite sausages. Reading to him every day. What? The paper at lunchtime. So he knows what's going on in the world.
32:57
Better isn't he cared what's going on in the world since Maggie Thatcher was in Downing Street.
33:01
Oh, no, he exaggerates. I'm not a fool, but he certainly appreciates everything you did for him. What else am I meant to have done?
33:10
Well, found him a specialist radio station he likes, one nobody else can find.
33:15
That's Sounds of the Sixties, man, Tony Blackburn. Some BBC Sounds, he's winding you up the old so-and-so. What about his toenails? Toenails? I'm not liking the sound of this. You didn't cut them for him. Have you seen his toenails? I wouldn't have touched them with a machete.
33:35
Neil, man, you've been heard good and proper.
33:41
Those bottles are gleaming, nice work.
33:44
I enjoyed myself.
33:45
Here you go then.
33:46
No, Grandpa, that's too much. You've earned it. Wow, thanks.
33:52
And I've got something to put to you, an idea.
33:54
Instead of making wine?
33:56
As well as, why not enter this year's Flour and Produce Show with a cake?
34:01
Cider cake? Usa a cider. Fly the grunty flag a bit. You like baking, and I bet you'd beat all the old Ambridge bakers' hands down. Check the show schedule. It's on the village website.
34:14
I'm way ahead of you, Grandpa.
34:16
Of course you are.
34:18
Ah, aqui nós vamos. Há uma classe for Baked Cake Usando Local Ingredientes. Excelente. Eu vou ter que comprar um de mamãe de cookbooks. Se nós fazemos um Cider Cake, eu poderia decorar com apples made out of icing.
34:32
Ou um grande cider bottle?
34:33
Sim, made out of marzipan. Oh, Grandpa, isso foi muito divertido hoje.
34:41
Sim, meu grandad taughte meu dad, meu dad taughte me, we taught George, e agora é sua turn.
34:47
E então vamos ensinar George and Amber's baby?
34:49
Oh, nós vamos, mas nós vamos ter que esperar um pouco. Quedando a baby's head é uma coisa, mas a gente vai ser um pouco mais jovem para aprender cider making.
35:04
Only me. I've been sitting here for an hour. Put the kettle on, eh? My stomach thinks my throat's been cut. No problem, Bert. Happy to help. You're in a good mood. Oh, I've had a lovely drive up to North Borsuchers to get those sausages you like so much. Really? Yeah, I'll get tea. Now, I hope you're not too hungry. Oh, I'm all right. Then I thought we might go to the pub tonight. Really? Yeah, I think we need to bond, you and me. Get to know each other that bit better. Hmm. Do we? I know I've been your son-in-law for a long time, but we've never properly talked, have we, Bert?
35:38
Not as men. Men? Yeah, heart to heart. Sharing our hopes and dreams, our vulnerabilities, our aspirations. Well, I... Our shared love of a good war film. E eu tenho a surpresa, alguém está vindo para cortar sua tonelha. Tonelha? Isso foi rápido. Não há nada, Burt. Não quando você tem needs. Oh, eu acho que é isso aí. Eu não ouviu nada.
36:06
Você deve ter feito.
36:07
Vamos ver a porta. Eu espero que é essa beaça, Yvonne, com a fringes. Ela tem um lindo, soltinho. Vamos ver, então, vamos. Oh, hello. Olá, Yvonne. Olá, Burt.
36:23
Oi, ah! É ótimo ver você, Jazzer!
36:27
Você não sabe, mas eu tenho aqui de seus nails, como usual. Oh, por quê? Você tem um pedaço de escas aí, Neil?
36:34
Oh, é isso, esses pequenos, mas eles não são exatamente certos. Ah, eles vão ficar bem.
36:43
Ok. Seus and Sox, Saf.
36:46
Right, no, stop it.
36:47
It's all right.
36:48
It's all right.
36:49
No, stop it. Come on, Sox. No, I don't think... I don't want... Stop! Get up, man. You've been rumbled.
36:55
All right. Jasner never did all those things you said, did he?
36:59
Well, I may have... I... Llega.
37:02
Llega a truth um pouco. Você não pode ser um homem para tentar, você? Eu acho que eu posso. Não. Você foi tão confiante, Neil. Você acredita, eu não resisto. Então? Eu estou esperando.
37:17
Bem. Olha, eu estou desculpada.
37:19
Eu estou desculpada. Eu estou desculpada. Eu estou desculpada. Eu estou desculpada. Eu estou desculpada. Eu estou desculpada.
37:26
Tell you what, Neil. Let's draw a line under this unpleasantness and nick down the bull for a couple of pints. You coming, Bert? Sounds good.
37:34
Well, I don't know, Jasper. I'm very upset. I'll get the first round in for the misunderstanding.
37:40
First round?
37:42
No way, Bert, mate. The beer's on you all night. Hope you've got plenty of pension left.
37:56
Olá, Greg Jenner aqui. Eu sou a host do You're Dead to Me, a BBC comedy show que tomou history seriously. Em cada episódio, eu pairo um top historiador com uma fantástica com uma fantástica, e temos um lindo, divertido, fascinante chat sobre um assunto diferente do mundo histórico. E em esta nova série, nós começamos com uma viagem épica sobre a história de Homer, Iliad e The Odyssey. E isso é com Kael Smith-Bino.
38:18
And then we'll be learning about Francis Galton and the racist, discredited pseudoscience of eugenics with Desiree Birch. We'll meet many medieval saints in their bone boxes with Rachel Parris. So, if that sounds like your sort of thing, listen to You're Dead to Me wherever you get your podcasts.
38:34
Thank you. Bye.
38:43
Can I get through, Jazza?
38:44
I'm sorry, Chels. I'm in your way, ain't I?
38:48
This maybe wasn't the best day to mend the front step.
38:52
I wish I was driving your mum mad. She's been on at me for months and we're better going on. Such a nice day.
38:57
I've got to get all my stuff out and into the horse box ready for Sunday.
39:02
Sorry then. I don't think.
39:04
I'll give you a hand. Great. There's a big water bottle I can't manage by myself.
39:09
Bring it on. Sunday's your big day, eh?
39:13
Do you think 20% is too much?
39:15
For what? Oh, sorry, for a discount off the first treatment to, like, pull people in. Do you need a discount? People know how good you are. Amber says I should give a discount and get everyone to post a review.
39:26
Well, Amber'd know her.
39:28
Mm-hm. She's lending me a posh camera to take pics from her socials.
39:31
Great.
39:32
So take it easy, Charles. She'll be fine. If anyone even turns up to the fate...
39:37
Loads of people say they're not bothering. I'm coming. So is your mum. Yeah, but you don't need your hair cut in.
39:43
No, but we can spread the word and cheer you on a bit. People will come. If you say so. Lillian Bellamy's gone. She's entering her ruby for the pets competition. Lillian's not likely to want an up-do, is she? Might do a good butt. And if it's the pets looking at their owners contest, she'll win hands down. Chazzer! What are you saying?
40:02
I cared for the prof this morning. It was obviously my turn. I was quite flattered. Where is Jim now? France! A place called Orange. A vaginomis Roman amphitheatre there.
40:13
Put on big classical concerts right up Jim's alley.
40:16
Orange?
40:17
I prefer a good rock band.
40:18
Like an orange?
40:20
I suppose that's how it's spelt.
40:22
Well, I bet you don't say it like that.
40:24
How else? Orange. Orangey.
40:27
I don't know dear. Hey, stop trying to distract me, Jazza. Right, let's get this water bottle moved.
40:37
Edward? Dad? Why are you here? What's wrong?
40:41
Well, nothing's exactly wrong, I suppose. I'm busy, Dad. We're harvesting the wheat in Whiteacre today. Emma's booked a table for you and her at the Vietnamese place in Borchester.
40:52
Okay, sounds nice. What, you came all the way over here to tell me that?
40:55
On Friday. Friday?
40:57
Friday. Oh, right. Oh, it's meant to be a surprise.
41:01
Well, for you, I mean. I think she's a bit miffed. We're all being so low-key about a birthday.
41:06
Well, let's just tell her we're doing a family supper, shall we? It'll be easier. No, your mum's dead set on it being a surprise.
41:13
Well, look, I'll just cancel the table on the quiet. It's easy enough, isn't it? Yeah, you'll have to keep Emma from leaving the house. She mustn't know about the family, too. Yeah, yeah, I'll sort something out. Yeah, well, you spoke to Neil today. No. Get him to tell you about Bert.
41:29
Turns out he's been spinning Neil a right old yarn about everything Jazza used to do for him. Typical Bert. Last night he got rumbled. Jazza was up for making Bert pay for drinks all night long, but Neil took pity on him.
41:43
Well, he's old, I suppose.
41:45
Bert says Jazza always got his toenails. The man's got more front than Dolly Barton.
41:56
Oh, resta do in the cub. You open the back.
41:58
Right. Oh, thanks for this, Jazza.
42:01
At least I can do.
42:05
Jules?
42:07
That's weird. It's not locked.
42:12
I locked it last night. I'm sure I did.
42:14
I'm sure there's no harm done. No.
42:15
No, no, no, no, no, no. What is it? What's up? No, no, please.
42:25
No, no, not now. Julesy!
42:28
Meu bag's gone, um, my big hairdressing bag with all my gear in it Oh no, are you sure?
42:33
Yeah, someone's nicked it Nicked it? Yeah You mean they broke in? How can a scumbag do that after all your hard work? Let me check the lock Yeah, everything's gone Like scissors, um, um, straighteners, crimpers, like even the hairdryer There's no damage as far as I can see, no scratches Você definitivamente locked it? I don't know. Oh, what am I going to do?
42:56
I think you should find the police. How are you doing Ed? You ready? Absolutely. Ah, good morning Eddie. This is an unexpected pleasure. Brian?
43:10
A quick bit of family admin, that's all. Sorry. All done now? Right, Dad?
43:14
While I'm here, Brian, could I have a quick word?
43:16
Of course it is quick. Far away, Dad. It's fine, Edward, trust me. Ignore him, Brian. We don't have time, Dad. Sorry, is something going on I'm missing? No, no. Yes. Dad? You better tell me. There have been more than enough secrets lately.
43:31
Which is why I thought I should mention it.
43:34
There's a situation. O que é? O que é? Não, não, Dad.
43:38
A White Acre, Brian? Come on, Eddie, out with it.
43:42
Meu excelente, loyel e muito bem-vindo e muito bem-vindo, Edward. Eu sei quem ele é, obrigado. O que é isso? Ele fez uma grande cirurgia para Martin Gibson na semana. Sim, eu ouço.
43:55
Edward.
43:56
O que? O que é isso?
43:59
Ah, tudo bem.
44:02
Martin paid me and Emma a lot of money, Brian, well over the odds. Well, good for you. On the understanding that I let him know and continue to let him know how things are going here at Home Farm.
44:13
How you're coping, now you're going it alone, whether the BL contract's under control, that sort of thing.
44:19
E você disse? Bem, nada importante, obviamente. Você está reportando a Martin Gibson sobre mim? Olha, Brian... Quiet! É completamente inacessível. Brian... Eu pensei que eu podia rely on você. Eu do rely on você. Mas, honestly, Brian, você pode confiar me. Não parece que isso. Eu me, o que você está dizendo? O homem Aldridge has gone gaga e a home farm falling apart? Não, claro que não. Você não tem, e não é. Eu disse que tudo está indo smooth. Mas por que dizer ele não tem nada? É o dinheiro? É o dinheiro? Am I not paying you enough?
44:53
I'm hurt, Ed. I thought we had a decent working relationship.
44:58
We do! Our Edward hasn't told Martin anything he couldn't have heard in the ball. I really haven't. And you can't blame him for taking the tree job. It's his business, Brian. He goes where the work is.
45:08
Even so, I'm hurt, Eddie. Hurt and very angry.
45:13
What is it with people these days?
45:15
How far do we go back?
45:17
No need to be hurt. We've told you what's happening. And that's the first step. First step to what? Oh, give us a minute, will you, Edward? I've got something to say to Brian. And he's going to listen to me. Oh, you think so? You said it yourself. So, how far do we go back, Brian?
45:37
Eu can't believe this Ok, fingerprints have been dusted for Someone will check the database And if this is a known criminal, we'll find them See, this is proper local police work Good on you, Harrison So talk me through last night, Chelsea Let's try and narrow down the window of opportunity a bit Who'd want to steal a hairdressing bag? Well, perhaps they didn't Thieves may have expected to find more valuables inside And ended up taking on anything they could, eh? Yeah, exactly So, what were your movements yesterday?
46:07
Right, so I was busy all day doing finishing touches, you know, and then I drove out to the DIY place later, the big one, on the bypass. And yeah, it was gone nine when I got back.
46:18
And did you park in their car park?
46:19
Yeah, of course.
46:20
Oh, good. Yeah, there'll be CCTV, we'll check it out.
46:23
What time?
46:24
I don't know, six, seven. And I drove back, parked outside and... Oh, wait, is there CCTV here?
46:32
Ah, not on the green, no. Ok, so just go through your movements very slowly and calmly, Chelsea.
46:39
I pulled up outside, I locked the cab, I remember doing that, and I got my things from the back and came indoors and I didn't go out again.
46:48
And you locked the back?
46:51
Oh, no, I don't know. Chelsea... I don't remember. I can't think. It was a really hectic day.
46:58
Well, if I didn't... Oh, no, no, no, no. I'm really scared I might not have. This might be my fault. No!
47:04
Hey, Jazza's right. You're the victim here.
47:06
Well, if I didn't lock up, I won't be insured, will I? While I do... Well, let's just take you one step at a time, eh?
47:12
OK. Look, you're lucky it's just the bag that's gone AWOL and not the whole thing. I mean, there's been a significant increase in thefts of trailers and horse boxes, you know.
47:19
Oh, I'm so stupid. How... Como é que eu fosse tão estúpido?
47:22
Todo mundo faz mistakes, Chels.
47:24
Mas a feita é o Sunday. Como eu vou conseguir se eu não tenho nada?
47:27
O que você diria que o equipamento era worth?
47:29
Loads, hundreds. Foi tipo, tipo, top-of-the-range stuff.
47:33
Talvez nós poderíamos comprar algumas coisas. Poderíamos comprar algumas coisas. Poderíamos comprar alguma coisa só para tirar você.
47:37
Por Sunday? Eu queria que tudo seja tão especial.
47:41
Bem, eu recomendo que você faça um adicionamento, não só para a porta, mas para a porta de porta, mas para a porta de porta de porta. Talvez a porta de porta, caso alguém tenta tirar a porta de porta.
47:49
Sim, eu vou. Eu prometo.
47:51
Você é uma cunha, olde fox, Eddie Grundy. Takes um para não. Aham. Vai funcionar? Eu acho que pode, sim. Deixe-me dar o seu misericórdia?
48:05
Edward, son, por aqui. Eu não vejo alguém que pareça tão hang-dog.
48:10
I really should have said something myself, Brian. I realise that.
48:14
Oh, I can't blame you for trying to make a quick buck. Just be glad you've got your dad here to sort out your mess. Okay. Something most of my kids don't have anymore.
48:25
Now, next time you talk to Martin... I won't say anything. I'll tell him the deal is off. No, no, don't do that. No?
48:33
Your dad here has a plan.
48:36
Rather a neat one.
48:37
Oh, no. I said we could sort it out, right? What are you up to? You're going to keep feeding Martin information, Edward.
48:45
Really? Yes. Except you'll only feed him the information I tell you to. Ah, you want me to lie to him? No. No, as I say, just feed him the information I authorise.
49:00
This could actually be quite useful, Eddie. Like I say. Hang on. You want me to be... A double agent. A bit of an overstatement there, Eddie. More like the resistance.
49:11
Feeding strategic information that might on occasion be misleading.
49:15
I can't do that. Of course you can.
49:18
I think you owe it to me, Ed. No, no, I mean, I don't think I can. Seriously, I'm a terrible liar. Then you'd better start practising. I'm really not comfortable with this. Good. You deserve to be uncomfortable. It's payback.
49:34
Or, as Kate would say, calmer.
49:41
Se eu ouvir algo, eu vou chamar direita. Great. E, antes de ir embora, eu estou muito sorry, mano, sobre você e Fallon. Oh, certo, obrigado. E, especialmente sobre não getting in touch before, não. Não, não, não. Você é meu amigo, você deveria ser melhor para mim. Honestamente, é... Eu não sei o que dizer, Harrison. E eu sei que é uma desculpa, por exemplo, por ignorar você. Não, não, não, não. Por favor, por favor. Por favor, por favor. Por favor, por favor. Por favor, por favor. Por favor, por favor. Por favor, por favor. Por favor, por favor. Por favor, por favor. Por favor, por favor. Por favor, por favor. Por favor, por favor. Por favor, por favor. Por favor, por favor.
50:06
Por favor, por favor.
50:07
Por favor, por favor. Por favor, por favor. Por favor, por favor. Por favor, por favor. Por favor, I couldn't have found the wads, so I ticked out and deleted them. I'm here for you, but I mean it.
50:16
Thanks, Chelsea. I'll... Yeah, like I say, I'll be in touch with Chelsea.
50:22
Okay, see ya.
50:23
See ya.
50:27
So he's gone. Aye. It'll take ages to earn enough to replace all that equipment.
50:33
You've got family, Chels. We'll pull together.
50:35
You've already pulled together, all of you. Nah, enough's enough. This is my mess.
50:40
Come on now.
50:42
I might ask Mum if I can borrow a dryer. It's a good one, but that is it. Don't beat yourself up. I'm going to have to fix this myself. It's down to me.
50:51
Nobody else.
50:58
Oh, for crying out loud. George! Honestly, there's boxes everywhere I turn.
51:04
That's hardly new, is it? You should be glad people want to give us things.
51:07
I am, Amber, only sometimes it'd be nice to get to the sink without always tripping over something.
51:13
Ugh, more stuff, I suppose. No idea.
51:15
Can you get it? On it. Hiya. Hi, Kira.
51:17
Hi.
51:25
Oh, eu gostei do que você fez com o seu cabelo. Eu não fiz muito isso, mas aconteceu.
51:29
Eu betteri ir. Um dia de milking e Esme vai.
51:33
Cider cake. Eu fiz isso.
51:35
Right, eu vou comer um pouco later.
51:37
Não há alcohol, é?
51:39
Não, isso vai ter tudo feito, você está bem. É mais sobre o sabor. É o meu primeiro go. Quando eu tiver isso, eu vou entrar no Flour and Produce Show.
51:47
Por que não? Você não vai ter o programa.
51:49
Stop, George. Ela pode. Sim, é um pouco mais encorajada. É hora para a próxima geração de grundis a step-up. Falando de que, tudo bem, Amber?
51:58
Sim, o bebê está me dando a resta hoje. Na noite, eu pensava que estava praticando para Strictly. O que você vai dar sua mãe amanhã? Algum da pós-mascara que ela gosta. Perfecto. Nós vamos para o body butter e a voucher para o meu favorito nail bar em Borchester.
52:12
Have we?
52:13
Honestamente, George. Go to work.
52:15
Yeah, I'll leave you two girls to talk make-up.
52:17
Patronise him. Ignore him. He can't help himself. Go. See ya. There's some iced tea in the fridge.
52:26
Thanks.
52:28
Eu não vou parar muito. Eu vou para o rewildo.
52:31
Eu posso dar um lift se você quiser. Eu vou para o prenatal yoga com Kate.
52:36
Essas bocas, Amber. É impressionante. Eu vou falar com George.
52:42
Here.
52:43
Thanks. Can I ask you something?
52:45
Sure.
52:46
Have you spoken to Poppy lately? She's really off with me.
52:49
That's because she's a right pain.
52:51
I feel like I've offended her and I don't know how.
52:53
I don't know, do I? Everyone always expects me to know what's going on with everyone else. Why should I? Poppy's a kid. Whatever it is, it'll blow over. You know what families are like.
53:02
I don't really. Never had brothers and sisters I could bicker with.
53:06
Believe me, you're lucky. Well, maybe it's not so bad.
53:10
I'll give her a poke and I'll see what's up.
53:24
Come on, George, come on. No, no, no, no, no, no.
53:31
George, tudo bem?
53:33
Não, eu vim com o trácto. Can você come, Grandpa, por favor? Você o que? Por favor, se você puder por aqui, por favor? Eu estou em Meadow Farm.
53:49
Amber, hi.
53:50
Olá, Brad. Tudo bem? É, claro.
53:54
Estou só para começar a minha shift.
53:56
Eu vim com o mais relaxante yoga sessão com Kate. Muito bem.
54:00
I'm going to pop in and see her. See if she's got anything Chelsea could borrow. You heard Chelsea got robbed? Well, the horse box did.
54:07
No, is she alright?
54:09
All her stuff's gone.
54:10
She's panicking about the fate on Sunday.
54:12
Well, I'll see if I've got anything useful. I'm sure I have. What does she need?
54:16
Oh, I don't know details. Just hair and beauty stuff.
54:20
Oh, look.
54:21
Right, thanks.
54:24
How's the baby?
54:26
Very quiet.
54:28
Is that good? It's...
54:31
Oh.
54:32
Amber?
54:32
I was going to say it's a nice change, but Brad, I don't think I've felt the baby kick all day.
54:38
Maybe the yoga calmed them down?
54:40
Don't joke.
54:40
I wasn't.
54:41
Shh, I'm just trying to think.
54:44
No, I haven't felt a move, let alone a kick.
54:47
I'm sure it's... Nothing, all day.
54:50
Não since I got up Oh, oh Brad Hey, hey there, hey This isn't right, it really isn't Can I help at all?
54:58
I need to do something Let me call my mum, she'll know, or Emma, maybe My midwife, call her Okay, what's her number?
55:03
No, I know what she'll say I think I have to go to hospital, Brad Straight away Well you can't drive, not like this Of course I can, I'm not in pain, I'm just Oh, Brad I'm calling George Oh
55:21
Not now, Brad.
55:22
George! George! Here! What are you doing there? I couldn't see you from the yard sitting up against the wheel like that.
55:30
What have you done? It's my wrist. It don't half hurt. It's probably nothing, but... Let's see.
55:37
Não é nada, não é tudo. Eu trouxe o trácto fora do milho. Eu estava ficando fora para abrir a porta e... Eu não sei. Eu não sei. Eu não sei. Eu não sei. Eu coloquei meu armado e... Você não parece. Ah, isso realmente hurts, Grandpa. Por que não você chamou Esme? Ela não está aqui hoje.
55:57
Não, não. Ah, você quer me pegar? É só Brad. Eu vou voltar.
56:02
Você tem que ir para A&E, son. Mas...
56:12
Não. Não me. Isso não é assim, Jorge.
56:17
Oh, não.
56:19
Agora meu telefone está morto. Isso é tudo que eu preciso.
56:21
Ei, é tudo bem. O bebê está tudo bem. Isso é o que importa.
56:24
Sim, você está bem.
56:26
Oh, eu tenho uma carga em meu bag.
56:28
Por que você não disse?
56:29
Eu não sabia que você era tão low em bateria, não eu? Vou pegar aqui, eu vou pegar a plug.
56:33
Há uma soquita lá, onde o monitor está plugado. Sim, eu estou com isso.
56:40
Como você está?
56:42
Relieved, obviamente.
56:44
Good.
56:45
That nice midwife said everything's fine, didn't she? Baby's just having a quiet day.
56:50
At least one of us is. I was so... Well, of course you were.
56:57
Anyone would be.
56:57
But where's George? Why isn't he picking up?
57:00
He'll probably run out of battery like you.
57:03
Look, I reckon we'll be gone soon. We can drive over to Meadow Farm.
57:07
Nós poderíamos, sim. Obrigado. Você foi incrível.
57:10
Há nada. Às vezes eu tinha a charger, eu acho. Não completamente useless.
57:17
Não um pouco useless.
57:18
Você fez tudo o dia, eu só tivesse tido along. E aí quando a midwife veio... Que pode ter sido muito engraçado. Eu acho que ela assumiu que eu era o dad. Eu estou feliz que você estava lá. Estou feliz que você estava lá. Estou feliz que você estava lá.
57:28
Estou feliz que você estava lá. Estou feliz que você estava lá.
57:31
Estou feliz que você estava lá.
57:32
Estou feliz que você estava lá. Estou feliz que você estava lá.
57:34
Estou feliz que você estava lá.
57:37
I'm used to doing all the driving these days. What with George's ban. I've gotta take responsibility now.
57:44
I mean, I'm gonna be a mother pretty soon. An actual mother?
57:49
Yeah. Yeah, it's amazing.
57:52
You're amazing.
57:55
Try him again, Brad.
58:01
How much longer? They'll see you when they can. We've been here ages. Not that long.
58:06
O que é? O que é? O que é? Mas vamos embora, Grandpa. Isso é uma coisa de tempo. Eu não estou dirigindo. É apenas um risco. Eu vou pegar alguns painkillers. Você sabe o que sua mãe vai dizer.
58:18
Eu não vou pegar o flac. Grandpa! Give it another hour, George. Better safe than sorry.
58:25
I can't connect to this rubbish Wi-Fi, and I still haven't got a phone signal.
58:30
So, now I've got you, George. What? What's going on with you and Keira? Nothing, we're all right now.
58:38
That's what she said. There you are, then. It's all sorted, kind of. Kind of? Please, don't go on.
58:44
Eu não sei o tipo de sorte. Ele é bom. Bem, desculpe-se de você, de novo. Não, não seja assim. Desculpe-se. Desculpe-se.
58:53
Você vai ser um pai, George? Você acha que eu não sei? A responsabilidade pode ser desafiante. Então pode você, às vezes. Não há nada mais simples sobre ser um pai. E definitivamente não em essa família.
59:07
Sim, sim. A família é como Deus. E se há algo errado entre você e Kira, sort it out. Você é o adulto. Eu disse, me e Kira são tudo bem.
59:19
Vamos, vamos lá. Uma hora, você disse. Você disse, você disse? Eu tinha isso com você hoje, Grandpa. Eu só quero ir embora.
59:26
Oh, tudo bem.
59:31
O que é? Você tem um sinal, de repente? Todos esses mensagens. E não só o Brad, é o Amber também.
59:41
I'll get the parking ticket. We'll be home soon.
59:43
What about your shift? Do you need to get back to Grey Gables?
59:45
Oh, no. Ian was cool about it when I rang. He got Zenab in to cover. I'm stopping with her shift on Saturday.
59:51
Amber! Amber!
59:54
George! I'm so worried. I don't believe this. What are you doing here?
59:57
We've been here hours.
59:58
Us too. I've been ringing and ringing. I couldn't get a signal, could I? But how come you're here? Like a plunker. I fell off the tractor.
60:04
I thought our baby had died.
60:05
And Grandpa was amazing and...
60:08
O que, Ambra? A bebê! Oh, querida! É a bebê ok? Ou você?
60:12
Eles estão bem, nós estamos bem. Foi uma falsa alarma. Tudo bem, George?
60:17
Oh, Deus! Ambra!
60:20
Foi um problema, é tudo. Mas, Brad foi ótimo. Come aqui.
60:26
Eu amo você. Me, too.
60:27
Oh, Amber. Ei, come on, you two not here. You like something off the telly, eh, Brad?
60:33
Yeah. Let's get ourselves home and have some Akira's cake. She's done well, ain't she? A natural.
60:38
I'm starving. Oh, we'll give you a lift, Brad.
60:42
You come with me, Brad. Yeah, thanks, Eddie. OK, Grandpa. I'll see you tomorrow at Mumstein. Yeah, quarter past seven, your grandma says. Don't be late.
60:50
We won't.
60:52
I thought we should give them two a bit of space here. They really love each other, don't they? Yeah, they do. Come on, I'll stop at the boat and I'll buy you a drink.
61:05
What a day. You're telling me. Oh no, nothing else. Please.
61:11
It's just Ciara. Hi.
61:16
George, are you okay? Grandma told me.
61:18
I'm fine, Ciara. We're all fine. Hi, Ciara.
61:20
It's awful, George. No, it's not. It could have been, but it's not. Okay.
61:25
I'll see you tomorrow. I'm going now.
61:28
That's nice of her.
61:30
Yeah. She's alright, really. And she's not being a pain.
61:35
That was scary.
61:36
You shouldn't have had to go through it without me.
61:38
I could say the same about your wrist.
61:40
I'll bandage it up. It'll be fine.
61:42
My macho man.
61:44
Shut up.
61:45
The worst thing was the guilt.
61:48
I didn't even notice how quiet the baby had been all day.
61:53
What if... Hey! Hey, babe, it's all right. I get it.
61:59
Hey! It's not for wimps, this baby business, is it?
62:06
Do you feel ready?
62:09
No. You?
62:11
Not one bit.
62:13
I just want our child to hurry up and get here safely. That's all.
62:24
Oh, thanks, Ciara. I was going to pop round for it.
62:26
Nobody's in. I just pass them on the green. Amber's taking George back to A&E. This time she'll make him see a doctor. My brother's an idiot. So, here's your charger.
62:35
Thanks.
62:35
You going to move some books so I can sit down?
62:37
Well, I'm sort of busy studying.
62:40
They don't all have to be open at once, do they? You've only got two eyes.
62:44
Let's go downstairs.
62:45
No man, you only love numbers. Does it have a happy ending?
62:49
Why are you being weird?
62:50
I can move a book without you losing your precious place, you know.
62:53
Famous last word.
62:54
And I'm not going downstairs. Someone might come in.
62:57
So?
62:58
I've got questions, Brad. You can answer them.
63:02
Try AI.
63:03
AI won't know this. It's only one question, really. But it's a big one.
63:09
Go on then.
63:10
Have you got over Amber? Finally.
63:13
Weren't expecting that, were you?
63:15
Well?
63:17
Me and Amber are... We're friends. She's with George. We're... This is none of your business.
63:24
He's my brother.
63:25
And he's my friend. You're out of order.
63:26
Are you still in love with her? I'll take that as a yes.
63:30
No!
63:31
I'm surprised everyone hasn't seen it. George wouldn't, to be fair, but he's an idiot. Go on, tell me I'm wrong.
63:38
I...
63:39
And try to mean it.
63:41
Ok. Você quer a verdade? Não.
63:43
Eu veni aqui para você, então você pode me lie. O que você acha que eu quero? Tudo bem. Eu gosto de ela.
63:46
Eu tenho um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um...
64:06
Look, I'm a student, Kira. I read books and write essays and do the cricket scoring and I live at home because I've got no money. That's where I am with my life, which is fine because it's what I've chosen. I like it.
64:17
Okay.
64:18
But Amber, she's about to bring a new life into the world. Doesn't get more grown up than that, does it? Yesterday at the hospital I felt so out of my depth.
64:30
She is in a place way beyond me.
64:33
Can't explain it any better.
64:36
Now, there are days, plenty of days, when I think George doesn't deserve her.
64:40
Don't slag off my brother.
64:41
No, I'm not, because yesterday I saw how much she loves him, how committed they are to one another and their baby. They've got something amazing, Ciara.
64:49
I know.
64:50
I can't compete with that. The thing Amber and me had was nothing by comparison.
64:56
What do you mean, thing? What? You said thing.
65:00
No, I meant...
65:00
What, thing? I thought you just had a crush on her, a stupid one-way crush.
65:06
Are you saying you had a thing? When?
65:08
No, you're misunderstanding me. I didn't mean...
65:10
Have you slept with her?
65:10
No, of course not.
65:12
You have, haven't you? What a two-faced... I don't believe this. I've worked so hard to like her. I've even started to trust her.
65:21
You can trust her. So can George. Nothing ever happened.
65:24
I don't believe you.
65:25
It was a kiss, Ciara. Just one kiss.
65:27
Now we're getting to it. When? New Year's Eve. The night George got bottled.
65:31
No, it's not like it sounds.
65:33
I'm not listening.
65:34
Ciara! Oh...
65:40
I'm glad you had a nice time with Harrison last night.
65:43
I was a bit strained to start with. Got better when he beat me at darts.
65:47
Bet you aged that. Yeah. What time is it now?
65:53
It's 22.
65:55
We could get out of the car, walk round the block for ten minutes. Or go home. No, no, I've paid for it now. I don't want to waste all that money. How much?
66:03
95.
66:03
95 quid?
66:05
It's usually 80, just the first session is longer.
66:09
95 quid to talk to a stranger?
66:12
I run a pub, Kenton. I talk to strangers every day. I don't know why I've come.
66:17
I wanted Fallon and Harrison to have the best, you know. I mean, this councillor's got loads of five-star reviews.
66:24
I was just trying to help.
66:27
Jolene? Oh!
66:30
Tchau, tchau.
66:54
It's not funny. It is. Oh, I'm sorry, I can't keep it up. Have you been winding me up? Oh, it's so easy. Oh, you're honestly... Look, you had a sweet but mistaken idea to get Fallon and Harrison some counselling. Thank you. And who knows? Taking the unwanted session might do us good. Why?
67:16
Do you think we've got a problem?
67:18
We'll have to wait and see, won't we? What? Oh, Jolene...
67:27
Aqui ele é. Ah, George, Amber. Joy, quando você está listo.
67:31
Kira founde você, não é? Sim, sim.
67:33
Por favor? Você está tudo bem, Brad? Sim, claro. Por favor.
67:38
Você tem que ter o chargador?
67:39
Sim, sim.
67:40
Isso é estranho. Ela estava dizendo que estava me mostrando a Rewilding um minuto, mas ela não se tornou.
67:46
Ela não está respondendo a textos, não.
67:48
She probably thought we'd still be at the hospital. Right.
67:52
What happened with your wrist? You okay? It's a disaster. Old painkiller dad. Well...
67:57
That's good. He's cracked it. Poor thing. Hairline fracture.
68:00
Oh no. I'm not going to be punching anyone for a while, that's for sure. Right. Were you thinking of punching someone? No, of course not. It's going to be in a cast for at least six weeks. Then maybe another six before I can go back to work. Esme will go spare. And then the baby.
68:17
We'll manage. There's not much else we can do, is there? The important thing is to heal.
68:24
Did Kira seem okay to you?
68:26
Um, well, she left in a bit of a hurry, actually.
68:30
You think something's wrong?
68:31
I, uh, maybe. That's what she does when she's upset. She runs off.
68:37
Let me text her again.
68:38
Don't bother. I know where she'll be. Where? Where she always goes when things get too much for... I'll meet you at Mum's, Amber. Stay with her, Brad, will you?
68:47
Uh, right.
68:48
Phew, wow. Wow. She asked some very direct questions, didn't she?
68:58
Got right in there. Took no prisoners.
69:01
I thought we were happy.
69:02
Me too. I mean, we are.
69:03
It's just our lives.
69:07
Yes. I love running the ball, Kenton. You know that. Mas isso me deu para um lugar, não é? E antes, eu gostei muito da forma que a vida se tornou na sexta-feira. O ups e downs de isso. Felt como liberdade.
69:19
Você não se sente livre? Você não se sente livre. É uma questão. Eu costumava ser livre. A equipe de nação, o que estava indo para a Austrália.
69:29
Eu gostaria de fazer música. Quando Dross reformed, eu realmente enviado Fallon para um pouco. Eu não sei porque meu music days tem que ser behind me. Mas eles não. Não. Não, eu não acho que não. Mas há sempre muito a fazer. Sim, mas nós fazemos isso. Sim, mas nós fazemos isso, não é? E há hábitos, se eu entendeu ela bem, hábitos become uma sorte de crust. Hum, não é uma boa imagem. E se nós não estamos preocupados, o crust vai se harden, become um shell, e então nós não vamos ser capazes de mudar.
70:01
Nós vamos ficar...
70:02
Maybe that's what getting old is.
70:04
I don't want that. Well, oh, nor me. I'm glad you spent that 95 quid. We need to shake things up a bit.
70:13
Fallon and Harrison are moving on with their lives. Let's trust them to know what they're doing and we can move on too.
70:20
And we still love each other, don't we?
70:22
Of course. We just need a... What, an airing? Yeah, like beating a carpet. Yeah.
70:29
We need a good beating.
70:31
You what?
70:33
Not literally, obviously.
70:41
Go away, George.
70:42
You still fit in that twisty old tree, do you?
70:44
It's a bit tight now, I suppose.
70:46
You used to run off here when you were little. You thought it was magic.
70:50
What's up?
70:51
I just want to be by myself, George.
70:53
You can. It's Mum's surprise party. She'd be upset.
70:56
Yeah.
70:57
Well, I can have five more minutes, can't I?
71:00
I suppose... I'll just settle down here. I used to go to Grandpa's pole barn. This is better. That place stank o turkeys. Did Brad upset you?
71:13
Yeah.
71:13
I bet he didn't mean to.
71:15
He said something.
71:16
What? Go on, I won't tell.
71:19
He said... Yeah? Something so horrible.
71:22
About what?
71:23
About...
71:25
About one of my mates at school. It was really unfair. I got upset. I probably overreacted. And then I shouted at him and I ran off.
71:32
What was it he said?
71:34
It doesn't matter. It was stupid. I'm not telling you.
71:38
You can.
71:39
I'm not though. You can't make me.
71:41
Okay. Okay.
71:44
If you came out of the tree, I could give you a hug.
71:48
If you wanted.
71:48
Don't be soft.
71:49
I know I'm a bit rubbish sometimes, but I am your brother.
71:54
Kira? Kira?
72:00
Ok, então. Um hug. Make it quick.
72:09
Oh, é George.
72:11
Ele's found her. Tudo bem. Ah, é bom.
72:12
Eu vou pegar eles.
72:14
Não podemos ir para o seu pai, não vamos? Onde está ela? Eu não acho que eu vou contar. Se é o seu secretário, do você?
72:21
Supose não. De... De... De... De... De... De... De... De... De... De... De... De... De... De... De...
72:30
Come on, you've been acting weird. What happened?
72:34
I need to know.
72:36
It was an accident, I swear.
72:37
An accident? What did you do? I, um... Brad, tell me.
72:41
I told her about our kiss on New Year's Eve. What?
72:46
Why?
72:47
Why would you do that?
72:48
I didn't mean to.
72:49
She got it out of me. Oh, Brad!
72:51
Brad!
72:53
You haven't done this on purpose, have you?
72:55
What? No way, I would never.
72:56
You're not trying to split me and George up.
72:58
No, I swear.
72:59
I'm about to have his baby, Brad.
73:02
I love him more than the world.
73:05
I know.
73:06
Amber, I... How could you tell anyone? Anyone, let alone Kira?
73:12
If George finds out, what the hell am I meant to do now?
73:41
E aí This Cultural Life, from BBC Radio 4.
74:10
I will never go into anything so deep like that again.
74:12
The world's leading artistic figures reveal their creative influences.
74:16
Disobey, disagree, disavow.
74:19
I'm John Wilson, and my recent guests have included the sculptor Anish Kapoor, photographer Annie Leibovitz, the actor Kristen Scott Thomas,
74:26
It has made me good at telling stories about people who have a secret suffering.
74:31
And former Children's Laureate Frank Cotterall Boyce. If art's got one function, it's to point to what's wonderful and say, look, this is your world, it's insane.
74:41
Listen to This Cultural Life on BBC Sounds.
74:51
Olá, Greg Jenner aqui. Eu sou a host do You're Dead to Me, o bbc comedy show que faz história seriamente. Em cada episódio, eu pair up um top historiador com uma fantástica com uma fantástica, e temos uma conversa divertida, fascinante chat sobre um assunto diferente do mundo histórico. E em esta nova série, nós começamos com uma viagem épica sobre a história de Homer, Iliad e The Odyssey. E isso é com o Kael Smith-Bino. E aí nós vamos aprender sobre Francis Galton e o racismo discredito pseudosciente de eugenia, Tchau, tchau!
